Birthday: August 25, 1979
Zodiac Sign: Virgo
MBTI: ESFJ or ESFP (Not Confirmed)
Height: 1.60 m | 5’2
Birthplace: Istanbul – Türkiye
Nationality: Turkish
Religion: Islam (Not Confirmed)
Love Life: (m. 2010 – d. 2016) Emre İzer
(m. 2019) Kanat Atkaya
Parents: Güler Bozoklu & Ahmet Candaş Bozoklu
Education: Dokuz Eylül University Faculty of Fine Arts – Theatre Department
Müjdat Gezen Art Centre – Acting Department
Instagram: @sebnembozoklu
Photo Source: Rüya Gibi, Show TV
Şebnem Bozoklu Atkaya is a Turkish presenter and actress. She is known for her roles in Canım Ailem (Dear Family, also: Ezgi), Ulan İstanbul (Bandits, also: Şükrü & Salih), Şahsiyet (Persona), Yılbaşı Gecesi (New Years Eve), Cebimdeki Yabancı (Stranger in My Pocket), Kızılcık Şerbeti (Cranberry Sorbet, also: Seray), Biz Böyleyiz (The Way We Are, also: Özge & İlhan) and more. Her new series Rüya Gibi (Like a Dream, also: Gökberk, Burcu, Uğur, Celil, Furkan, Yeliz, Seda, Ahsen, Emre & Yağmur) was released on December 2, 2025.
Facts:
- her paternal family is from Isparta, Türkiye, while her maternal family is from Siirt, Türkiye and of Egyptian descent
- when her grandmother, mother and aunt get together, they always speak Arabic
- she is one of those people who understand Arabic, maybe around 30%, but find it harder to speak
- some of the jokes she shares with her mother are in Arabic
- between 2005 and 2006, she served as a director for the play Sanat Dansı ile Mondi at Çisenti Theatre
- she’s also known for her close friendship with actor Enis Arıkan
- in the series Ulan İstanbul, the songs performed by the characters Yaren and Carlos (played by Erkan Kolçak Köstendil) became very popular in Türkiye
- especially their song Yanarım was a big hit and has been viewed more than 50 million times on YouTube
- buys a lot of second-hand clothes to protect the environment
- she is someone who loves what she does, believes in her work, strives to improve herself and is hardworking, but above all, she is a great dreamer
- says she is not interested in erasing the past, but in shaping the future
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